| "When we are absorbed in anything we are | | | | starting strong and finishing even |
| unaware of time; and so it seems to pass | | | | stronger. For successful entertainers, the ending |
| quickly." Magician Sam SharpeThis is part two of | | | | is the high point of the |
| a two-part article that focuses on magicians and | | | | performance. In a similar manner, the conclusion |
| trainers. In Part | | | | of training is an important |
| One, we discovered that magicians and trainers | | | | moment. The trainees have accomplished |
| have a number of similarities. We | | | | something of importance and should be |
| discovered that both: | | | | allowed to luxuriate in that achievement. A magic |
| - Were once viewed as miracle workers | | | | illusion, when placed as a coda to |
| - Are regarded with suspicion by their audiences | | | | the learning, functions as the exclamation point. It |
| - Practice manipulation of the audience | | | | concludes the event in a special, |
| - Strive to not remind the audience of the | | | | memorable manner.What Magic To Use |
| manipulation | | | | Knowing when to use magic is a helpful but |
| - Direct the audience's attention toward the | | | | incomplete picture. The trainer must |
| outcomes they desire | | | | also know what magic to use. Next, we will focus |
| - Must control their environment to be effective | | | | on several illusions that any magic |
| - Suggest the outcomes they expect | | | | novice can perform and that are effective in the |
| - Must focus their manipulation for the audience's | | | | learning environment.Change Bag |
| benefitWith these comparisons between magicians | | | | The Change Bag is one of magic's most versatile |
| and trainers in mind, we will next turn | | | | props. It consists of a bag, |
| our attention to the placement of magic in the | | | | sometimes on a stick, with two pockets. The |
| learning environment. In this article, | | | | beauty of the bag is in the fact that |
| Hocus Pocus Focus Part 2 will determine when to | | | | only one pocket is visible at a time. This duality |
| use magic, and what magic to use.When to Use | | | | allows the performer to magically |
| Magic | | | | transform any item into another item with the |
| Within the progression of a training program, | | | | wave of a hand. The Change Bag can |
| there are four specific times when | | | | be used for diversity training as many items |
| magic is appropriate.1. Use magic to begin the | | | | become one, for financial management |
| learning segment. | | | | as pennies transform into dollars or to emphasize |
| In my opinion, the best instructional designs are | | | | teamwork as individual names |
| those that capture attendee | | | | "merge" onto one organizational chart. In short, it |
| attention immediately while framing up the | | | | is ideal for any situation where |
| learning to come without resorting to | | | | something transforms into something else.This |
| artificial "icebreakers." The very word icebreaker | | | | illusion, and those that follow, can be obtained |
| implies a counterproductive | | | | through the following vendors: |
| learning metaphor. Trainers shouldn't try to break | | | | Creative Presentation Resources, |
| through as if using an ice pick. | | | | Hank Lee's Magic Factory, |
| Instead, the focus should be on melting the cold | | | | Tool Thyme for Trainers, |
| atmosphere present due to trainee | | | | Trainer's Warehouse, Disclaimer: I am not an |
| fear and apprehension. Magic is an ideal resource | | | | advertising agent for these organizations. I simply |
| for pulling learners immediately | | | | report |
| into the presentation without putting them on the | | | | these vendors to aid you in finding the |
| spot with a pointless activity.In my early days, I | | | | materialsFlash Paper |
| performed magic at children's birthday parties. | | | | Fire effects can be dangerous and as such should |
| Often the children | | | | be used with extreme caution. |
| where keyed up and needed to settle down | | | | Nevertheless, fire-based effects are effective at |
| before I could begin. Instead of waiting | | | | capturing learner attention. |
| for them to settle, I would invite them (so that | | | | Fortunately for the non-firebug, there is Flash |
| we could "introduce" ourselves to | | | | Paper. This handy paper, as its name |
| each other) to shout their names out as loudly | | | | implies, burns in an extremely bright flash. It also |
| as they could. Once they had shouted | | | | burns so quickly that there is |
| their excess energy out and were ready to | | | | little danger from it. Flash Paper is a great tool |
| focus on the show, I would begin the | | | | for any situation where you want the |
| performance.In a similar fashion, most movies | | | | learners to move beyond the past. Simply |
| begin with a prologue that teases the audience | | | | instruct the participants to write their |
| with fragments of information. The intent of the | | | | negative emotions, complaints, lists of poor |
| prologue is not to begin the story, | | | | leadership traits, parking lot issues, |
| but rather to stall for time until everyone is | | | | situations where they have been "burned" by |
| seated, to capture the attention of those | | | | poor customer service or any other |
| already seated and to place the audience in the | | | | items you want them to discard onto individual |
| proper mood for the story to follow.Magic, when | | | | pieces of Flash Paper. Then collect |
| placed in this kick-off position, functions in a like | | | | the pieces of paper, place them in a container |
| manner. It provides | | | | and destroy the past. The image of |
| an interesting way to begin without really | | | | complaints going up in a flash can be a highly |
| beginning. The trainees who have arrived | | | | effective method for moving the |
| on time receive extra value while the late arrivals | | | | discussion forward.Magic Coloring Book |
| don't miss critical instruction. An | | | | The magic coloring book has become a staple in |
| introductory magic illusion also captures learner | | | | many a trainer's toolbox. Although |
| attention, drawing them in and | | | | there are several versions on the market, the |
| releasing tension in the process. And, if the magic | | | | basic trick involves a coloring book |
| trick you place here directly | | | | that is displayed with blank pages, then with black |
| relates to your content, it will provide your | | | | and white drawings and finally |
| learner with a frame of reference for the | | | | with the black and white drawings fully colorized. |
| content that follows.2. Use magic to refocus | | | | The Magic Coloring Book is |
| energy. | | | | perfect for situations where you want to |
| Master magician Sam Sharpe once commented, | | | | demonstrate three different progressive |
| "People will always pay attention so | | | | phases. For instance, you could recap the learning |
| long as they are curious. Keep them guessing | | | | that will occur, or has occurred, |
| and wondering by doing the | | | | with trainee knowledge of the subject |
| unexpected. Unpredictability is a key factor in | | | | progressing from a blank slate to a fully |
| holding attention."When performing in nightclubs, I | | | | formed image of the subject. Another usage |
| often found that the audience's attention would | | | | could be to demonstrate three steps in |
| wander. It's not that those audiences weren't | | | | the process of solving customer service |
| enjoying the show. Rather it was the | | | | complaints, from approaching the complaint |
| fact that there were more stimuli present than | | | | with an open mind, to determining what the |
| the average person could | | | | customer wants, to delivering a |
| simultaneously absorb. To recapture wandering | | | | solution beyond what the customer |
| attention, I would present a flashy, | | | | expected.Needle Through Balloon |
| attention capturing, illusion. As a result, the | | | | The final magic trick I'd like to highlight is called |
| patrons would pay closer attention lest | | | | the Needle Through Balloon. In |
| they miss any future illusions.In the training or | | | | this illusion, a needle is pushed into a balloon |
| classroom, learner focus also wanders. Learning | | | | without popping the balloon. The |
| can be hard work | | | | needle is then pulled all the way through the |
| and any learner, even the most attentive, will | | | | balloon and removed, but the balloon |
| occasionally tune the trainer out. The | | | | stays inflated. Finally, the balloon is punctured with |
| best defense against a lack of attention is to | | | | the same needle. This routine |
| place the suggestion in the learner's | | | | requires minimal skill while providing maximum |
| mind that paying attention is vital. This can | | | | impact. Trainees cannot help |
| sometimes be accomplished with the | | | | themselves from being drawn into the suspense |
| force of the content alone, but occasionally the | | | | of the illusion. The Needle Through |
| content requires help. A well-placed | | | | Balloon is applicable for encouraging trainees to |
| magic trick tied to the subject matter can help. | | | | overcome artificial barriers, to |
| It suggests that interesting things | | | | believe in their own abilities, to solve difficult |
| occur in this classroom and that, in order catch it | | | | problems, to focus on accomplishing |
| all attention is required. In | | | | supposedly unobtainable goals, to brainstorm new |
| addition, when a session is focused and serious, a | | | | ideas and to believe they can |
| magic trick can provide some | | | | achieve career success.A secondary use for the |
| levity, much as a steam valve functions on a | | | | Needle Through Balloon is to validate the |
| pressure cooker, releasing excess | | | | overwhelmed |
| tension in a safe and timely manner.3. Use magic | | | | feeling that trainees sometimes feel in the middle |
| to illustrate a key point. | | | | of the learning process. I simply |
| All magic tricks, to be successful, are tied to a | | | | acknowledge to the trainees that their heads |
| story. Magicians call it "patter." Many | | | | may feel as if they are ready to |
| would-be magicians have discovered to their | | | | explode. Simultaneously, I insert the needle into |
| sorrow that buying a trick alone is not | | | | the balloon. I then assure them that |
| enough to make them magicians. As magician | | | | they will eventually absorb the information |
| Dariel Fitzee explained, "The secret is | | | | successfully and that, unlike the balloon, |
| NOT important. The ONLY thing that is important | | | | their head will not "pop."Training Magic |
| is its favorable impression on the | | | | I would like to conclude with a word of caution. |
| majority of the spectators." It is often the story | | | | As Dariel Frizee stated, the trick is |
| that leaves that favorable | | | | not important. Nor is the trainer's ability to |
| impression.In learning, some of the most | | | | perform the trick. What is important is |
| effective points are made through metaphorical | | | | the success the trainees have in learning the |
| stories. (A metaphor is a figure of speech where | | | | class material. Magic should not be |
| a word, a phrase or an item from | | | | overused. Training is not a magic show. |
| one context is applied in another context.) As | | | | Nevertheless, the similarities between |
| Peg Neuhauser explained, "Stories | | | | magicians and trainers are too numerous to |
| allow a person to feel and see information as well | | | | ignore. For magic does allow ordinary |
| as factually understand it . . . | | | | people to become wizards in both the theater |
| because you 'hear' the information factually, | | | | and the classroom. True learning is |
| visually and emotionally, it is more | | | | not an illusion but it should be magical!Visit Lenn |
| likely to be imprinted on your brain in a way that | | | | on line at |
| it sticks with you longer, with very | | | | Lenn Millbower, BM, MA, the Learnertainment(R) |
| little effort on your part."Magic tricks, owing to | | | | Trainer is an expert in applying |
| the importance of patter for an effective | | | | show biz techniques to learning. He is the author |
| presentation, are | | | | of the ASTD Info-Line, Music as a |
| ideally suited for illustrating key points through | | | | Training Tool, focused on the practical application |
| stories. A visual magic trick | | | | of music to learning; Show Biz |
| combined with patter related directly to the point | | | | Training, the definitive book on the application of |
| being made is an unbeatable | | | | entertainment industry |
| combination. The language in the story appeals to | | | | techniques to training; Cartoons for Trainers, a |
| the left hemispheric logic circuits | | | | popular collection of 75 cartoons for |
| while the illusion and the metaphor it represents | | | | learning; Game Show Themes for Trainers, a |
| appeals to the holistic right | | | | best-selling CD of original learning |
| hemisphere. The result is a powerful learning | | | | game music; and Training with a Beat: The |
| tool.4. Use magic to conclude the learning | | | | Teaching Power of Music, the foremost |
| segment. | | | | book on the application of music to learning. Lenn |
| The strongest entertainments have fully | | | | is an in-demand speaker, with |
| satisfying endings. Before Hollywood | | | | successful presentations at ASTD 1999-2005 and |
| releases a new movie, it is common practice to | | | | SHRM 2006; a creative and |
| screen it for a test audience. If the | | | | dynamic instructional designer and facilitator |
| studio discovers that the test audience dislikes | | | | formally with the Disney University |
| the ending, the ending gets | | | | and Disney Institute; an accomplished |
| changed. Many films, including Casablanca, Patriot | | | | arranger-composer skilled in the |
| Games, Fatal Attraction | | | | psychological application of music to learning; a |
| and The Bourne Identity have had their ending | | | | popular comedian, magician and |
| altered through this process. The | | | | musician; and the president of Offbeat |
| alternative is disappointed moviegoers, bad word | | | | Training(R), infusing entertainment-based |
| of mouth and ultimately, poor box | | | | techniques into learning to keep 'em awake! |
| office.In show biz, there is an old saying about | | | | |