Pre-game Preparation. Part 1: Mastering the Pre-game Speech

Coaches and athletes alike are well aware of thehave done an outstanding job of extending a
individual differences that exist in skill levels on anytraditional sports fallacy that the team that
given team. Some players are better athletesappears to ‘want it the most’ and comes
than others, while other players are betterout of the locker room the most fired up and
defensively, better rebounders, or have better‘psyched to the gills’ will get the win.
individual offensive skills or passing ability thanSome coaches even count their fiery emotionally
others. Because of these differences, smartladen pre-game speech abilities among their most
coaches build offenses and defenses and assignuseful skill sets. Yet, experience teaches us that
roles based on the respective skill levels of thewhile high intensity is critical for most parts of the
athletes currently in their program. Yet, for asgame of basketball (rebounding and defense as an
many differences as there are in physical traitsexample), lower intensity is needed for certain
within any given team, there are an equal numbertypes of offensive execution and fine motor skills
of extremely important mental trait differencescoordination (try shooting a high percentage from
among the players. Unlike the differences inthe foul line or shooting a jump shot while
physical traits and skill among players that are‘jacked up’ with maximum intensity….
typically well understood and effectively utilized,your percentage will look like a minor league
the differences in mental traits among players arebaseball batting average). This is not to say that
not nearly as well understood or utilized. Whenthere is not a time and place for the emotionally
athletes and coaches do not pay attention tocharged percussion of a great pre-game speech.
these mental trait differences, the team is oftenBut the great coaches and athletes understand
robbed of some of its potential. The result is athat basketball is like a great symphony, made up
team which lacks consistency, oftenof so much more than raw percussion. Varied
underperforms, and finishes the season with avolume control makes for great symphonic music
win-loss column that does not reflect its truethat balances emotional percussion with the timing
potential and ability. Nowhere is this lack ofand skillful execution and concert of the string,
attention to mental trait differences morewind and brass sections. A team that understands
apparent than in the coaches’ pre-gamehow to consistently execute a beautifully run flex
speech and in each athlete’s own pre-gameoffense that results in an open, soft, and perfect
preparation.12ft jump shot, and then quickly gets into an
Part 1 of this two part series on pre-gameaggressive full court run and jump defense that
preparation will focus on the pre-game speech,consistently results in opponent turnovers,
while part 2 (to be published in the next WBCAunderstands how to make this music.
Journal) will discuss how to maximize anAthletes and coaches should know their own
athlete’s own pre-game preparation.optimal arousal levels and stay at the level that
The difference between intensity and emotionalbrings out their very best performance. This
arousalmeans that pre-game speeches should sometimes
Some athletes perform extremely well whenfocus almost entirely on game strategy, while
they are on an emotional high, while others are atemotionally laden messages should be delivered on
their best with relatively low emotions. On anan as needed and more individual basis. Most
emotional arousal scale of 1-10 (with a 1 equal toathletes know how to get themselves
an almost comatose pre-game state and a 10‘up’ for a game. Take some time to sit
equal to the athlete that regularly high fivesback and watch your players at work during your
teammates so hard their hands sting for 10next pre-game. Some players will sit silently, some
minutes!) and a performance scale of 1-10 (with awill talk, some will find distraction and deflect their
1 equal to a lifetime worst performance and a 10nervousness with humor, while others love to let
equal to a lifetime best performance), I havetheir mp3 players shape their game face. A fiery
played with athletes who needed to have anpre-game speech is just what some of your
emotional arousal level around 2-4 (very low) inplayers want and need, while that same speech
order to consistently perform at an 8-10 levelwill just as effectively pull some of your other
(very high). I have also played with athletes whoplayers right out of their game and into a poor
needed to have an emotional arousal level aroundperformance (though of course most would
an 8-10 in order to consistently perform at annever dare admit that to you!).
8-10 level. One of the biggest mistakes thatThe truly great coaches and athletes understand
inexperienced coaches and players make isthat the purpose of a great pre-game session is
believing that the entire team should be at theto bring an optimal level of composure,
same emotional arousal level. Note that emotionalconcentration, confidence and commitment for
arousal level has NOTHING to do with intensity.each individual onto the game floor. These mental
Athletes do not always have to be ‘jackedskills & toughness traits are called the 4
up,’ ‘hyped’ or highly emotionallyC’s of Peak Performance, and each athlete
aroused to perform at 100% intensity. Yet manywill need to arrive at this optimal state of mind
coaches and athletes remove themselves andthrough a slightly different route during the
many of their players from their optimal arousalpre-game. The coaches that use the pre-game
level, and onto a knife edge of heightenedsession and speech to accomplish this will start
emotions, poor shooting percentages, defensivethe game with a distinct advantage over their
errors, and mistakes under pressure.opponent.
Unfortunately, Hollywood caliber sports movies